Contemporary, portrait, landscape, painting, best, top ten, paintings, oil, artist, artists, gallery, life, figure, graphite, sketch, Snowdonia, drawings, pencil, Art, geometry, composition, Master, Masterpiece, Welsh, Wales, Artist, technique, poses, traditional, gallery,
N.B., Click on images to zoom.
'Seated female (Beth)' Oil Pastel on Paper, 90 minute study
Probably the favourite life model that Mari and I draw (at our Ruthin Life Drawing group) is a woman called Beth. She has the ability to adopt a rather difficult-looking pose and then hold if for an hour or so with no movement whatsoever. She also has a slim-mish build so bones and muscles can be clearly seen, which is a real help in this caper. Unfortunately, during the lockdown period, she has given up modelling, and so we're unlikely to see her again. Therefore I thought I would show a few examples.
N.B., Click on images to zoom.
'Sleeping female (Beth)' Oil Pastel on Paper, 90 minute study
When models have a lying down pose they can occasionally nod off. And if the pose is too straightforward it can be a bit boring. But Beth, as here, gives the pose a little thought, and the twist in the torso, although probably difficult to hold, gives linear flowing interest to the composition.
'Leaning female, second stage (Beth)' Black conté crayon, (30 minutes).
First stage of a life drawing = faint circles and guide lines to establish placement on the sheet and of the broad elements of the figure. Second stage = firmer outline of the body to confirm proportions and shape,Third stage = tone and texture to describe the solidity and details of the figure.
'Seated female (Beth)' Oil Pastel on Paper, 90 minute study
The base colour (acrylic paint on white paper) happens to be fairly close to the tonal value of the skin, so only a minimal amount of pastel work is needed to describe the shadows and highlights on the body.
'Life Studies (Beth)' Bistre conté crayon, (10 minutes per figure).
This 'palimpsest-style' sheet is very similar to the one following. Beth chose the poses, which makes me think, on reflection, that she may have had a kind of routine which she used when given a free choice of multiple short poses. I'm speculating.
'Studies (Beth)' Black conté crayon, (10 minutes per figure).
'Two figures' Oil Pastel on Paper, 4 hours
We very occasionally have two models. This is a great exercise in that other considerations come into play, for example the space between and around the models, their relative size and proportions, the overall composition, etc.
'Study of hands (Beth)' Bistre conté crayon, (10 minutes).
'Female (Beth)' Black conté crayon, (30 minutes).
'Standing female (Beth)'Black conté crayon, (10 minutes).
And lastly, this particularly angular pose by Beth (possibly exaggerated by the love of cubism, and associated movements, that I have lurking somewhere inside). So this drawing ended up looking (unless I'm misreading it) a touch 'Futurist'.
Gilbert K. Chesterton.
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Music
By the way, recently I've been using some of my landscapes, figure paintings and life drawings, alongside some music, in a series of YouTube videos based at
Songs From Wales.
You're very welcome to take a quick look if you have the time.
These songs can also be found on (and downloaded from) iTunes, Spotify, CDBaby, and many other platforms.
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. . and now, a Recommended Read . .
I remember seeing the film the Inconvenient Truth and feeling very disturbed. I therefore subsequently did a heck of a lot of reading about the global warming end-of-times assertions. There are plenty of things in this world to be concerned about, but the planet's demise due to a man-made climate crisis is not one of them.Harry.
One of the most disturbing aspects of the entire global warming debate is the certitude of believers, driven almost entirely, if not exclusively by tribal affiliations.This book shows that while CO2 contributes to climate conditions it is not a primary driver, and that the climate models on which energy policies are based are invalid. It also addresses the unconscionable tactics employed by politicians and their media acolytes to perpetuate the myth that human-caused CO2 is responsible for global warming and climate change. A small group of ideologues have over the years hijacked an otherwise noble cause, environmental consciousness, and used it as a proxy to redistribute wealth and ultimately to replace western-style democracies with a world socialist structure under the auspices of the United Nations. To achieve their goals, they use Alinsky-style tactics to denigrate, ridicule, and intimidate skeptics, and Orwellian methods including rewriting history to ensure conformity to their message.There are no angry mobs demanding consensus for the theories of Gravity or E=mc2 because they are testable, repeatable, and confirmed through experiment and observation. The un-testable, un-provable relationship between CO2 and a warming planet plays into the hands of scrupulous ideologues. Only through such an oblique association could they develop a pseudo-secular religion with millions of believers who view those who question its dogma as heretics.
Review in Amazon.
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One of the most disturbing aspects of the entire global warming debate is the certitude of believers, driven almost entirely, if not exclusively by tribal affiliations.This book shows that while CO2 contributes to climate conditions it is not a primary driver, and that the climate models on which energy policies are based are invalid. It also addresses the unconscionable tactics employed by politicians and their media acolytes to perpetuate the myth that human-caused CO2 is responsible for global warming and climate change. A small group of ideologues have over the years hijacked an otherwise noble cause, environmental consciousness, and used it as a proxy to redistribute wealth and ultimately to replace western-style democracies with a world socialist structure under the auspices of the United Nations. To achieve their goals, they use Alinsky-style tactics to denigrate, ridicule, and intimidate skeptics, and Orwellian methods including rewriting history to ensure conformity to their message.There are no angry mobs demanding consensus for the theories of Gravity or E=mc2 because they are testable, repeatable, and confirmed through experiment and observation. The un-testable, un-provable relationship between CO2 and a warming planet plays into the hands of scrupulous ideologues. Only through such an oblique association could they develop a pseudo-secular religion with millions of believers who view those who question its dogma as heretics.
Review in Amazon.
When you receive the email,
you can go to the site itself by clicking on the blog title.